Phyllis Baldino
February 24, 2026
- Guitar Solo at Toad's, The B Willie Smith Band
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Merle Rock A Bye, Steve Baldino
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Another Day, Another Night; Steve Baldino
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You Know I Love You, The B Willie Smith Band
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Love, More Love; The United Society of Shakers, 1996
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Who Will Blow and Bend Like the Willow, The United Society of Shakers, 1996
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Indeterminacy (clip), John Cage and David Tudor, 1959
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Auber: Manon Lescaut - C'Est L'Histoire Amoureuse, Amelita Galli-Curci, 1996
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Nessuno, Mina, 2004
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Stars (Live – Montreux Jazz Festival 1976), Nina Simone, 1976
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Nell'Ufficio Di Produzione Di Otto E Mezzo, Nino Rota, 1962
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Tighten Up, Archie Bell & The Drells, 1968
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Kimberly, Patti Smith, 1975
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96 Tears, ? & The Mysterians, 1966
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Chan Chan - Dúo con Elíades Ochoa, Cuba Segundo
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The Wind Cries Mary, Jimi Hendrix, 1967
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No More (Dez Cadena Version), Black Flag
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Walking The Cow, Firehose, 2026
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The Letter, The Red Krayola, 2026
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Little Rootie Tootie, CRUEL FREDERICK, 1991
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For What It's Worth, Buffalo Springfield, 1966
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They're Red Hot, Robert Johnson
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Andy Warhol - 2015 Remaster, David Bowie, 1971
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I'll Never Get Out Of This World Alive, Hank Williams, 1954
- Mercedes Benz, Janis Joplin, 1971
Phyllis Baldino:
Concept based and project oriented, my work takes the form of moving image installation
and single channel video. My interest in alternative art forms started when as a student at
the Hartford Art School in Connecticut, I experienced John Cage and David Tudor’s
sound collaboration piece Indeterminacy (1959). My idea of what art can be changed
forever. In the work, Cage set up rules that he had to speak each story within one minute
and Tutor was in another room unaware of when Cage spoke or what he was saying.
Although not planned and totally random, the resulting happenstance is astonishingly
perfect. Taking this lead, I sometimes create simple rules for my pieces where I allow
chance to play a role.
